The natural sciences and museums share a deeply rooted connection that not many people think about. Many people hear the word museums and think of art and history. Yes I know there are many sciences museums across the world and they are very well known, I am simply stating that if you asked ten people the first word they thought of when they hear the word ‘museum’ over half of them I bet would definitely say something other than science. Modern biology and public museums shared a much more common origin than most people believe. Aristotle and his student Theophrastus traveled to Lesbos in the 340s BCE to collect, study, and classify different kinds of plants and animals(Abt, Origins of the Public Museum). This established a scientific approach based on two things: observation and physical evidence. Aristotle then founded the Lyceum in Athens, which was a school that had something called a mouseion, which is essentially a shrine dedicated to one of the Greek goddesses, Muses. The word museum was directly derived from this mouseion(TheCollector.com). A background in biology allows scientists to contribute vital direction of specimens and ecological context to museums, while, on the other hand, biologists’ understanding of the idea of curation helps contribute essential frameworks for public science communication.
Not only did the natural sciences influence early museums, but they continue to enhance museum curation and specimen preservation. Areas in modern biology like Genetics, field sampling, taxonomy, and morphology bridge the gap between static collections and dynamic research archives. An example of this is DNA extraction from fossils or dried plant presses that allows scientists to trace back their origins and compare them to current ecological and evolutionary challenges. Biologists bring a sense of rigor into cataloging biodiversity and preventing errors in species identification(Whatisbiotechnology.org). To quote one of the readings we were assigned in class that I think backs up my previous claim is from Steven Lubar, who states, “Collections are the heart of the museum…They are raw material for research, the basis for exhibition, and the grounding of education.” He also cited that to make connections, you need to actually have things to connect, and that a collection of objects provides the foundation(Lubar 2018).
Biologists who help design natural history museums also are really good at utilizing museum spaces to convey complex scientific topics, climate change and biodiversity loss. Not everyone has a science ‘brain,’ so to speak; some people understand it from the get-go, some need a little help, and some are completely lost. This is why its imperative that scientists and curators work together to figure out ways to exhibit these complex ideas into visual narratives that the general public can digest with ease. Lubar also states how museums need to ” connect objects with ideas, objects with stories, and objects with people.” Essentially, what he is saying is that to bridge the gap between an idea and a person is you have to personalize it in a way, give it a story, or some personality. This way the average person can take a complex idea, personalize it and draw the correct conclusion from using their own thought process, rather than someone spilling word soup at you and hoping you can grasp it. Lubar also goes on to say, “Connections give objects meaning. An object in a vacuum is just a thing; an object in a network of meanings becomes a story, a lesson, an experience.” This directly sums up what I was just talking about: creating an experience allows people to digest ideas that are out of the ordinary, and this is where scientists rely on curators the most.
Let’s work backwards a little bit; I’ve talked a lot about how science helps museums, but haven’t really discussed the opposite, except in the last sentence or two of the previous paragraph. Specific knowledge and methodologies from the museum world help refine scientists’ research methods and public science outreach. Logic learned from curators has most definitely helped scientists build more efficient research repositories and advanced ways to preserve certain cultures, specifically tissue. Biologists, and frankly all scientists, struggle with science communication, and as I stated before, museum principles of interpretation often teach scientists how to make technical concepts accessible to non-experts without actually diluting any scientific accuracy. Lubar also has a great explanation of what I mean here, where he goes on to say how museums are not storerooms, but places where meaning is manufactured through connection.
Ultimately, there is a reciprocal relationship between science and museums, and their intersection results in better science and a more informed public. This is a two-way street, where scientists bring empirical depth and environmental concerns to collections, whereas museums offer the physical space for scientists to bridge the gap between research and human culture. Again, Lubar is hitting the nail on the head once again stating how the best museums will be the ones that can build the strongest ties between their collections and their communities. As society continues to face environmental crises and rapid technological change, the partnership between biological science and museum curation is more vital than ever to maintain both physical evidence of life and meaningful connection with the public.